Bitter with a touch of sweet

It's the Three Weeks. For those in the know, this period (from the 17 of Tammuz through the 9th of Av) are historically the three saddest, most unlucky, dreadful weeks for the Jewish people. Both Temples destroyed. Declaration of the First Crusade. The Jews expelled from England. The beginning of the Spanish Inquisition. The deportation of the Jews of the Warsaw Ghetto to Treblinka. Bad, bad stuff.

My bad stuff does not compete. But of course, this had to be the week when I received a rejection letter from the first publisher I sent my novel to. In the end, it might not be bad news (maybe it's sub-par, maybe the next publisher I send it to would be a better match...), but it feels like it right now. I'm not really down in the dumps--probably because of the 5 month delay--but it's still a disappointment.

On the other hand, it's tempered by some great news. I IY"H expect to have a short story in Binah BeTween this week, with a few other pieces placed for publication soon. As soon as they reach newstands, I'll let everyone know.

Need help with research, but can't reach primary resources?

My husband showed me a marvelous website today, both for teachers and for writers--the updated Library of Congress website. The benefits of this site are the following:

1) Large amounts of the LOC's collections are now digitized. That means, without actually visiting its site in DC, you can view rare materials like maps created by George Washington, newpapers from the time of the Civil War, and political cartoons from the Great Depression.
2) The award-winning interactive site offers the opportunity to virtually "visit" the current exhibitions at the LOC, play "Knowledge Quest," and make your own personal collection of favorite items.

As writers, we can benefit enormously from this resource. Setting a story in the past? We can find letters, diaries and journals of historical figures and be able to quote them in our work. Wondering what should be in the bedroom or office of your main character? You can see the books they read, find out from their diaries what their favorite foods were, places they visited, who they knew, see photos (from 1860s on) of how people dressed in those days, or paintings or woodcuts of where they lived. Need the characters to sound real? You can find out how people felt about historical events while they were still happening through personal correspondence, letters to the editor of newspapers, and political cartoons.

So little time, so many books to write...

I've been busy recently with editing projects, creating a new website (for family campers), and dealing with the general craziness in the Klempner family. That means that I haven't been doing my own writing very much in the last month. I sat down today to revise something I worked on a couple of weeks ago in my writers' critique group, and it felt divine. Ahhhh...

Another thing that kept me busy for the past month was an author visit. I read A Dozen Daisies for Raizy just in time for Shavuot & we did a great art project with the students (here are a couple more Raizy tie-in project suggestions...1&2). As usual, the kids wanted to know if there were any more books written about Raizy. I had to explain (again) that in fact I've written two sequels, one of which has never been published, the other of which was revised with a different central character and longer format, then published as a short story in Mishpacha Jr. 

I miss Raizy. But rejection letters have demoralized me. I haven't even tried to write a sequel for quite a while. I'm planning to write another novel this summer, but I think I'll also try my hand (again) at a follow-up to Raizy. 

I've already started brainstorming and scribbling away in my little notebook.

How to Cope with Rejection When Your Colleagues are Coping with Success

“Expect rejection.”

     That’s what I was told as I entered the field of the professional writer. Sure enough, the vast majority of us do experience it—and in varied and often humiliating forms--and I was not exempt. I no longer sulk for days if I receive a rejection later (although it might cast a fog of discontent over an hour or two). The more mature of us move beyond tolerating rejection and even learn to appreciate it, and maybe someday I'll reach that stage. Recently, however, I discovered a facet of the rejection experience that has been less commonly addressed, but needs some attention.

    In the space of a few days, two of my colleagues received contracts for their first books. These are two hard-working artists with talent and skill, who worked very hard to reach this point. I’d shared all the ups-and-downs of these particular manuscripts, so each phoned with their good news soon after they received it.

Meanwhile, I’d been tapping away endlessly on my first novel. I had come to a point where I feared it was unpublishable. What made it worse was that I’d been so preoccupied with writing that novel, I’d sent out far fewer pieces of writing than usual. Not one submission had resulted in a sale. I’d been feeling stuck and frustrated that week when my friends phoned with their exciting book deal news.

     In this situation, I had to make a decision.

     I could have hung up the phone and sneered, “But his book isn’t any better than mine!” or “Why is it always someone else?” I could have given the cold shoulder to my recently-successful friends. But the pleasure would be tiny, and it would be brief. Worse, it could cause the loss of a collaborator, colleague, or friend.

     But there was another choice. It’s best described by one (Yiddish) word: farginen.

     To fargin is the opposite of schadenfreude. Whereas the sufferer of schadenfreude delights in the misfortune of others, the person who fargins another delights in their good fortune.

     There is a tendency in artists of all kinds—writers are not exempt—to experience envy, envy in a deeply unattractive shade of green. Somehow, someone else’s success feels like it has prevented your own. Or maybe you believe your work is more deserving than your friend’s.

     You hear about “fair weather friends,” but some people are “foul weather friends.” There are individuals who like having other people around only when they can feel equal or even superior to them. They feel life is a competition, and they always want to be the one on top.  Taking pleasure in someone else’s successes and good fortune, regardless of your own state of being, is just as much of an expression of unconditional love as is sticking it out with a friend in need.

     To be fargin isn’t always a spontaneous emotion. In most people, it requires practice. You remind yourself that your friend’s success doesn’t prevent your own. You cheer for your friend. You spread the word about their new project. You buy the book as a gift for other friends. You let their success remind you that yours is possible at a future date. After all, G-d can hand out as many book deals (or sales or whatever) as there are people, all at the right time. 

     The more you practice this spiritual muscle, the stronger it will become.


(Update: I wrote the original draft of this piece a couple months ago. Don't worry--I got some writing/coaching gigs after the dry spell.)

How to get back into the swing of things after taking a vacation from writing

I took some time off from posting to concentrate on Passover preparations...and then another couple weeks off recovering. My brain was so focused on errands and checklists, and my body was so exhausted from scrubbing, that I pretty much couldn't write at the end of the day, not anything coherent anyway. I had several manuscripts under review by editors, so I thought it would be best just to step back a bit from cranking out stories and submitting them.

It was strangely relaxing to stop writing. While I love to write, things were getting jumbled in my head, ideas tangled up, and I was losing focus. I've always been a person whose problem is too many ideas, not too few. But it was getting to the point that sitting down to write was like opening up the doors to one of those closets where people just keep shoving things in wherever they fit, and you're left fumbling for your navy pumps in a mess of fluffy pink sweaters, old luggage, and forgotten handbags that really ought to be sent to Goodwill. Where to start?

Plus, my writing was feeling less joyful. When writing becomes your job, and you expect yourself to produce something (hopefully brilliant) every day, it can become a chore instead of a pleasure. When most of your writing is done at the end of a long day of homemaking, it just turns into one more thing to check off your to-do list. A succession of rejection letters hadn't helped the situation.

During Passover, I found extra time to lavish on my husband and children, without worrying that I was being a slacker or would miss a deadline (even a self-imposed one). Since most of the publishers I deal with are Jewish ones, I figured they'd all be out of the office, too.

However, my vacation had to come to an end some time. I belong to a critique group, and with a meeting coming up, I had to get back to writing. I forced myself to sit at the computer. My first couple attempts didn't go anywhere, and I felt a bit demoralized. Thankfully, some wonderful helpers were sent to me from Shamayim (Heaven). Totally unsolicited, two friends told me that they like my writing. One particularly focused on my quirky way of looking at things in a way that's humorous but true. This made me reconsider what I had been attempting to write.

I think that one of the problems with my recent attempts of writing was that I was trying to write what other people have successfully sold, as opposed to staying true to my own voice. Half-submerged anxiety about pieces that hadn't sold because they didn't "fit in" with publisher's expectations must have led me down the wrong path, and a little reflection set me straight. I ditched the stuff that wasn't really "me," and returned to my uniquely wacky and off-beat voice. The ideas are beginning to flow and I'm feeling more optimistic.

The Providential arrival of a complimentary email from an editor contributed to the general upswing, too. If this particular editor loved my piece, I must be good!

Whoa

I've just submitted my novel. Whoa. I'm a little freaked out. 

Fear competes with excitement. I'm not sure which is winning, but I have a suspicion that I should really be feeling relaxed. After all, my manuscript's acceptance is now entirely in G-d's hands. I did my part: I finally finished the sucker, got it edited by multiple people, revised it, got it proofread, and researched the most suitable publisher to start with (I hope they agree). There's not much left for me to do, other than pray. And wait.

One of my sources of excitement is that now my writing schedule is wide open for other projects. I have lots of ideas, thank G-d. I kept getting sidetracked by competing writing projects in the last couple months. That is part of what took me so long to finally wrap up this book--that and the multiple viruses that have been afflicting various members of the Klempner household.

Avoiding the dreaded DEAD END

As mentioned in a couple previous posts, I'm wrapping up my Novel-In-Progress. This has been a long, somewhat traumatic process, but it's getting done. About two weeks ago, I realized that I had to scrap the ending entirely. Why? Because my ending wasn't The Ending.

Confused? Let me clarify.

To be a good ending to a novel: 1) there has to some resolution to the major problems faced by the central character/s (this doesn't mean there is a happy ending, just that you see things are settled); 2) the conclusion should share the themes addressed at the beginning of the book (even if it's to turn the initial beliefs of the characters on their heads); 3) the end should be consistent with the details and personality brought up earlier in the novel; and 4) the reader should feel satisfied that they didn't waste their time.

While some books have many possible "Endings" that flow logically from what precedes, there are also many "endings"--dead ends that leave the reader disappointed. You can't expect a reader to be satisfied by the last minute introduction of a character (never before seen in your novel) to save everyone from destruction. Unless you're trying to be funny, it probably won't work for a character to act like their personality has been switched with the hero of a different story entirely. Consistency helps your world become believable to the reader.

The ending I wrote in my outline was replaced long ago with another. However well this ending resolved the characters' dilemmas, it didn't really address the same themes as the initial chapters of the book, nor did it satisfy the readers. Everyone who read my first complete draft seemed to sense that I was holding back certain details of how the book should finish. The truth was, I was afraid to write the Ending the way it should be written, because I was afraid it would become unpublishable.

What do I mean by "unpublishable?" All publishing houses use a style guide. Normally, this governs mechanics like punctuation, capitalization, use of American English vs. British English, and the like. However, Orthodox Jewish publishing houses have an additional level of what words, topics, and the like that they think are appropriate to include in their books. Truly, other kinds of publishers have similar guidelines, just must less stringent ones. Then magnificent Ending I have just written has just crossed a few too many of those guidelines most likely to be found at an Orthodox press. However, the book is VERY, VERY Jewish. Like probably wouldn't make sense if you didn't have a sound foundation in Yiddishkeit.

I think I have now written the Ending the way it should be, but it's just as unpublishable as I feared. Seeking sympathy and advice, I spoke to the ladies from my writing group. They think I should keep the new conclusion, since it is after all the Ending.

And so now, I will have to revise yet again, to see if I can make this book into something someone (other than myself) would publish.

Picture courtesy of http://etc.usf.edu/clipart/68000/68050/68050_123_W14-1_b.htm

I Feel Liberated!

.

Last week, I finished the charming and very wacky Larklight by Philip Reeve. This sci-fi adventure for kids 10 and older follows the Mumby family as they try to stop a mysterious race of giant white spiders for taking over the solar system. The novel takes place in a wonderfully-articulated alternate Victorian history, where Newton started the space race and all scientific discoveries after his time have not occurred or occurred differently than they did in our true-life universe.

Interestingly, G-d (and praying to Him) is referred to on several occasions as the ultimate Creator of the universe in this book. This is in keeping with the time period of the setting, and also very appropriate in the context of one particular character. The book does not refer to a Christian-specific deity, just "G-d" in the generically monotheistic sense. The mentions are mostly in passing, and are certainly not the focus of the novel, but I can't think of any other mainstream sci-fi or fantasy books that actually include one character telling another, "Oh, yeah, G-d created the universe." I was blown away.

This is such a change from the atheism, animism or paganism that has permeated the sci-fi fantasy genre for years. Some of these books go into elaborate detail about how to practice a fictional variety of avodah zara. These books appeal to tweens and teens, who gravitate towards them. One of the reasons that I started writing sci-fi and fantasy material is because of the dearth of such stories that nourish the neshama.

I've written a new (and, I fear, completely unpublishable) ending for my current Novel-In-Progress, and I've started to think ahead about the next project. About six months ago, I thought of a Jewish steampunk/alternate reality book, but I've wondered if the Orthodox book publishers would find it acceptable. Would it be yet another arduous project with an unpublishable result? I started to outline it with the Snowflake method over the weekend. I have transformed the original idea into a fantasy that is not Jewish--but does firmly establish the world I'm creating as created by G-d. I had contemplated this before (as a possible solution to my publishing issues), but felt discouraged due to the lack of such books in the mainstream YA market. Reading Larklight has empowered me to take the leap. Thanks Mr. Reeve!

Another existential crisis in the life of my Novel-in-Progress

So, if there was any one thing that every single person I've had read the Work In Progress has said, it's this:

You call this an ending?

Otherwise known as: time to find another way to end this book.

I've been avoiding this issue a bit as I've been rewriting, because I'm still not sure what would be a better ending. However, I'm almost done resolving the other issues in the book. My new ending must be found. Preferably soon rather than later.

It's not that I don't know where my story's going. Or at least the general neighborhood. It's just the details.

I've been looking for some inspiration online, and have found a few great links to help me out. I'll share them with my readers, in case any of you are in the same corner as me.

Post from The Other Side of the Story with Janice Hardy http://blog.janicehardy.com/2010/03/end.html

Post from the Creative Penn http://www.thecreativepenn.com/2010/08/09/how-to-write-the-ending/

From How to Write a Book Now http://www.how-to-write-a-book-now.com/plot-development.html

Article by Holly Lisle http://hollylisle.com/how-to-finish-a-novel/

The two easiest ways to write books yet

 

Picture credit:
http://etc.usf.edu/clipart/24300/24305/snowflakes_24305.htm

For a while now, I've been a believer in the Snowflake Method. It was invented by Randy Ingermanson as a way to build your novel in a structured, yet streamlined way, and it does just that. I came late to it, as my novel had started off as a short story, then had expanded to much more than that. I wish I'd got to the Snowflake Method sooner--it would have prevented me from floundering about quite as much. There are other ways to create a novel with discipline and skill--but this has always seemed to me just about the easiest. There's even a computer program that can help you with the method.

However, there's new tool that makes creating a book possibly even easier. Building on a successful blogging format, the folks at PressBooks have designed a online tool that adapts the WordPress platform for the purpose of making a book. The writing process becomes as easy as managing a blog, using the same familiar, simple tools.

The webware is free, and can be used collaboratively (multiple authors can have access to your book-in-progress at once, just as with a blog). Each post is roughly one chapter. You can take your document and covert it to a PDF, epub, etc. It can also be used for a POD (Print On Demand) service, if that's what you want to do. The design of the book is reportedly much more refined than in most do-it-yourself POD products.

I'm skeptical about its utility for novel-writing (although if you want your final product to seem like a fly-by-the seat-of-your-pant serial, where what happens next might surprise the author as much as the reader, it might be okay). It's too linear, where a good novel is usually built in layers. However, if you are working on a non-fiction book project with colleagues, I imagine it would be outstanding. Check more about it out at: http://pressbooks.com/about

Everything I need to know about Styling, I learned from LuLu

Picture credit: http://etc.usf.edu/clipart/18900/18980/book_18980.htm

Okay, okay, so my title is a bit of an exaggeration. Here's the story:

I get lots of questions from new writers about how to format manuscripts for submission. My first piece of advice is always to follow the specs articulated by the periodical or book publisher you are submitting to. However, if you don't know where you're sending it to, I've always preferred to use a sans-serif font like Arial or Helvetica for titles and author info, followed by a double-spaced body written in a simple serif font like Times New Roman or Courier. (Serif fonts have those little crowns and tails, sans-serif do not.) You can always reformat later, thanks to the magic of Microsoft Word. And don't forget to insert a footer with a page number and your email address on every page.

In the past, that magic formula has always worked. But now that I'm working on something longer--in fact, an entire book-- things have gotten complicated. It's simply harder to be consistent across more than a hundred pages. I can't remember how I numbered the chapters (with numerals or the numbers as words), if I put in an extra line after each chapter heading, or what size and font I used for each. Sometimes I paste in pieces from other documents and the font and size may differ. My document was turning into a mess. And don't even ask me what happened when I went back and started to rewrite!

That's where LuLu stepped in. You see, I was doing a lot of research last week and the week before regarding e-publishing (hence a couple blog posts wherein I mentioned it). If you publish an ebook through LuLu, you have to use a very specific format. Or, rather, you Style instead of Format.

Most of us look at the Style menu in Word and have no idea what to do with it. We write using the Format menus, sometimes just out of habit.  Even if you don't plan to use LuLu, your editor will still be much happier if you use Styles. Doing so can save you time, but it also will increase consistency throughout a document and prep it for conversion into other document formats like Adobe InDesign or ePub. In fact, if you use LuLu, you have to use Styles, because that's what triggers page breaks for chapters and creates your table of contents.

Some people hate the way the Styles look, or object to the fonts and spacing used. That's okay! With a little practice, you can create your own Style and apply it throughout your Word document. Want to learn how to do this? Here are some links that can help you:
http://floridawriters.wordpress.com/2011/12/30/tool-time-using-styles-in-word-to-help-with-your-formatting/
http://www.thebookdesigner.com/2010/04/authors-keep-formatting-when-they-should-be-styling/
http://daiya.mvps.org/bookwordframes.htm

I doubt I'll go the LuLu route, but I owe the company a debt of gratitude. My reStyled document looks beautiful and is perfectly consistent and organized. Now if only I can finish my rewrite...

With Chanukah just over...

If Chanukah is over, it means just one thing in the Klempner household: time to prepare our annual Purim Spiel. Traditionally, a Purim spiel is a play, but in our household, we've transformed it into a pseudo-newspaper. Our friends and neighbors always enjoy receiving our Purim Spiel, and we put a lot of work into it to make it as wacky as possible.


Picture credit: 
http://etc.usf.edu/clipart/63100/63192/63192_men&paper.htm

My husband, eldest child, and I actually collect material for our fake news stories and ads all year round, but it's only after Chanukah that we start fleshing the ideas out and laying them out to look like a newspaper. I start collecting all the little bits my husband has emailed himself and scour my journal for bizarre thoughts I've scribbled (off-the-wall shaggy dog stories to make people groan, truly terrible puns that would make great names for sham products, off-beat reflections about life in L.A., and so on). As Purim gets closer, we usually mix in more time-sensitive material that's based on current events.

As much pleasure as our readers get, we also get the pleasure of  knowing that we're using our talents for goofiness to brighten people's Purim. (Plus, I love the voicemails people leave for a week after Purim telling us which parts were their favorite.)

What's really strange is that the more I write for professional purposes, the harder the Purim Spiel gets for me. I noticed it last year, and this year the feeling's even stronger. It's still fun to make (especially as it's a family endeavor), and I still enjoy our readers' reactions, but my energy is differently directed these days. Luckily, I have family members to keep me in line. We'll get it done even if I'm distracted, IY"H.

Electronic Publishing

On a couple of my LinkedIn groups, there have been some fascinating conversations lately about self-publishing. At this point in my life, I can't imagine starting such a project--unless we're discussing ebooks.

As I have mentioned before, the novel I'm currently working on is so quirky, I'm a little afraid of its publishing possibilities. I'm also considering an anthology of my stories (including ones that have previously appeared in magazines). I can't imagine spending the money on self-publishing up front--but ebooks can be printed with services like Lulu for virtually nothing. Moreover, if you price your book in the magic window of $.99 to $2.99, you can get a lot of downloads. The author's share of the profit is higher, and they can accumulate into a little pile of spending money.

I tested out a Kindle last week.

Definitely a weird experience for me. The sound, smell and tactile experiences of reading an ebook are so different than with a print one, and your eyes and hands operate so differently, that it was a little off-putting. 

I visited the Lulu site, too. There are a LOT of details, details traditionally published authors don't handle.

Additionally, I have concerns about how well ebooks are penetrating the Jewish market. My most recent Artscroll and Feldheim catalogs do boast ebook offerings, and here are some links to Jewish e-book sites online:

http://www.jewish-e-books.com/

http://www.publishersrow.com/ebookshuk/

Definitely more research is in order.

Wonderful reads this weekend

I had one of those weekends where I spent a lot of time enjoying magazines. On Motzei Shabbos (Saturday night), I got my Winter 2011 edition of The Mulberry Tree (the official magazine of St. Mary's College of Maryland), and it included a tribute to the late professor Alan Paskow. Dr. Paskow's wife, Jacqueline, was my French professor for several semesters and the couple was notable not just for their intellectual brilliance, but for their kindness and dedication to their students.

The Mulberry Tree article excerpted a talk Dr. Paskow had given shortly before his retirement from SMC, entitled "On Writing an Academic Book." I'm finding that I identify with a lot of what Dr. Paskow says in it about the process of writing his 2004 book book, The Paradoxes of Art: A Phenomenological Investigation. Take this:

"One of the first things I experienced in beginning my work was a periodic reminder that no one had asked me to write it...One of the most difficult tasks in writing the book was to suppress thoughts about how it would be received, even whether it would be received at all. I would think: No one will publish this thing."

This is precisely the thought that has run through my head about the novel I'm supposed revise (and which I keep finding excuses not to). It's really a great comfort to share your most recent existential crisis with someone you really admire, and even more a comfort to know that he was able to persist, completing his book and successfully publishing it. Here's a link to Alan Paskow's book. http://www.amazon.com/Paradoxes-Art-Phenomenological-Investigation/dp/0521828333 I think it's out of print, so if you want to get your hands on it without spending a lot, your best bet is probably borrowing it from a university library.

(The book addresses the idea of why fictional characters and even images of people that appear in paintings affect our emotions, even when we are fully aware they are not real. Personally, I think this quality of art is a defense of both the arts and arts education. Dr. Paskow concludes, interestingly, that the fictional subjects of works of art achieve a sort of quasi-reality that allows us to interact with them. While at first glance, such an assertion seems peculiar, think about the legions of Harry Potter and Twilight fans who talk about the characters as if they are personal friends of theirs and dress in costumes appropriate to the books. Or think about the Cornelia Funke book Inkheart and the story "I Remember the Future" by Michael Burstein.)

The other interesting read this weekend was an outstanding profile of Gadi Pollack in the Inyan Magazine (HaModia) for Parshas Vayeishev. Most people are more familiar with Mr. Pollack's artwork than his name. Here's a link to some of the books he has illustrated.

http://www.amazon.com/s/ref=ntt_athr_dp_sr_1?_encoding=UTF8&sort=relevancerank&search-alias=books&ie=UTF8&field-author=Gadi%20Pollack

The article in Inyan detailed how Mr. Pollack integrates his artwork and his spiritual life in an inspirational way. I recommend picking up the article while last week's magazine is still on the shelf.

My Nitzsche Moment

Isn't it Nitzsche who said, "Whatever doesn't kill me makes me stronger?"

As I posted a couple weeks ago, I circulated the rough draft of my novel-in-progress among several friends and colleagues. The feedback that has been trickling back has been very enlightening, often useful, and will probably result in a much, much better book.

However--although most of the readers have overall liked my book and said they'd recommend such a book to friends--the feedback has also been extremely demoralizing and makes me want to crawl under a rock.

Everyone insists that I ditch the prologue, make a couple characters more obnoxious, and alter a particular detail. Add more action! More fun details about the planet. Make the robot even more menacing!

Okay, okay, I get it. If four people are telling me the same thing (so far), I guess I'd better take it seriously.

It's going to take me a long time to fix all that, plus address various other issues brought up by my invited editors, reviewers, beta readers, whatever you want to call them. Plus, I still haven't resolved the issue about whether to make the book accessible to a wider audience by limiting my use of Hebrew terms and explaining those used, etc.

I started working at the next draft, but had to stop when my computer died. This was probably a gift from Heaven. I think I need a little break. I was sitting in front of my computer, staring for a couple minutes at the screen, then begining to hyperventilate and twitch.

And I asked for it!

The craziest part is that I would ask for the experience again, because it'll make me a better writer, and my book will certainly be improved. (Maybe I'll even sell this one!)

A lot of writers disregard criticism of their "babies" because it's so painful. But so is childbirth. Literary babies have to develop and grow just like our real children, and after their initial births, you have to spend even more time and effort "educating" them before they can go out and live on their own. Yes, occasionally someone will share an opinion that no one else shares, and you can ignore it. And, yes, criticism should be shared in a respectful way. But if several people who have opinions you trust tell you the same thing, you'd better take notice.

Even if it's painful.

Heads Up on a Nifty Article & a Cloudy Recommendation

Yael Mermelstein, the wonderful Jewish author, is profiled in this past week's (Parshas Toldos) Inyan Magazine found inside the HaModia newspaper. Immediately following the article is the first of a new two-part story by Mrs. Mermelstein. In the profile, Mrs. Mermelstein gives excellent advice about how to start writing as a career or as a hobby. If you are at all interested in this topic, I recommend reading the article.

And here are links to a couple of posts I've written on the topic--some of the advice is the same as Mrs. Mermelstein's, but there are other hints, as well.

http://klempnerkids.blogspot.com/2011/03/how-do-you-do-it.html

http://klempnerkids.blogspot.com/2011/03/how-do-you-do-it-part-2.html

On a totally different topic, I have to tell you that the cloud has now officially saved my -ahem!- tush. My computer died on Thanksgiving day, resulting in a second replacement of its hard drive. Aside from the back up drive that supposedly saves all our updated files every two weeks, I've been relying on the cloud to preserve all my new documents daily. The result--my computer flaked, but I still have my novel, with up-to-date copies of my revision-in-progress. I HIGHLY recommend that all serious writers maintain multiple backups of all files (hard copies, stored in cloud, exterior drive, etc.).

Ever wanted to write a novel?

As some readers might know, November is National Novel Writing Month. Known as NaNoWriMo to insiders, participants sign up on the website, http://www.nanowrimo.org/, then commit to write a novel of at least 50,000 words by the end of the month. While some people find this task daunting, other people find it motivating and even exhilarating. The deadline gets people who've always wanted to write a novel but failed to follow the number one rule of writing (get your tush into a chair and start writing daily).

Intriguing? Well, even though it's almost the end of the month, it's not too late to participate! Barbara Krasner, who blogs at The Whole Megillah, is starting a Jewish version of NaNoWriMo to coincide with Jewish Book Month, which starts tomorrow (Nov. 21st).

Follow this link to get more details.

http://thewholemegillah.wordpress.com/2011/11/20/write-your-own-megillah-guest-post-why-write-a-thon-by-rochelle-melander/

The Right tools for the Write job

(image from Clker.com)

Each writer has a unique toolbox of implements they use while writing.

I could be speaking metaphorically, but in this case, I'm talking about actual tools. Most writers have a very special relationship with computers, word processing programs, desks, paper, journals, pens, highlighters, folders, and the like. There are favorite brands and coveted models of all these writing implements.

Most writers have very strong opinions on at least some of these items. There are Moleskin fans, Mac devotees, people who swear by fat .9 mechanical pencil points, and others who want only a black Bic Stick with a fine tip.

Sometimes, I "test drive" pens. I'm not the only one--have you ever gone to store and found the display covered in squiggles and John Hancocks? Pentel, Biro, Bic, PaperMate, and Pilot all have their advocates. Check out this great blog with comparisons of different types of pens, markers, and paper for use by wordsmiths. http://apenchantforpaper.blogspot.com/

And here's an example of how some writers creatively re-purpose items not normally associated with writing for their exploits. http://theemptypen.wordpress.com/2011/11/13/your-best-non-writing-writing-tool/

Recently, I caved into my cheapskate habits and purchased a $0.99 composition book to use as a journal. I think I'll have to discard it soon...I'm not using my journal like I usually do.

This seems silly, but having the right instruments makes writing more pleasurable--and therefore, you're less likely to avoid sitting down and getting to work. (It also helps to have a comfortable chair at your computer desk.)

Currently, I prefer a blue gel pen (Pilot is my fav), medium point only. My preferred notebook is hardcover with a spiral binding so that the pages lie flat. And a pretty picture on the cover helps. That's for journaling, outlining, diagramming--all that pre-writing work. I sometimes do my very first draft in the notebook, too, but then I switch to the computer. I'm pretty flexible on the Mac vs. PC issue, but I HATE, HATE, HATE laptops.

Did I mention that authors have strong opinions on these subjects?

Care to share yours?

Inspiration?

So, I finally finished revising my novel on paper (complete with red ink) at some point early last week. However, I was having trouble actually typing the changes into the document. I'm not sure if I was nervous, bored with the project, or what. I kept finding excuses and wasting time, even with friends and relatives asking if I was finished.

And then the incredible happened...

On Friday morning (while my challah dough was rising), I figured that I should price the cost of making copies through both chain print shops and locally-owned ones. I was about to go to a locally-owned one that I'd heard was reliable and competitively priced when I found an online coupon for Staples Print & Copy services. The coupon was good for 30% off of a job that cost at least $30 AND IT WAS GOING TO EXPIRE ON SATURDAY!

Very motivating.

I had the project done by 1:30 and sent it off to the printer electronically before 2 o'clock.

Wow.

I'm very excited, but more than a little freaked out. I already have my new baby in the capable hands of one reader, with a cover sheet for feedback attached (and a stack of post-its). My writing group will, G-d willing, meet later this week. I'll fork out a couple more copies at that point.

It's funny how my mind works.

Almost ready to print and distribute to a selected few

I'm almost done (at last) my rewrite of the novel-in-progress. It's still too short (over 30,000 words, but not by very much), it still has a few scenes that I think are a little lame, but the characterizations are more convincing, there's better world creation, and I think the whole thing is more coherent. I've lined up a few writing friends (and a couple teens, too) to read the book and tear it to shreds.

That puts me at the point of printing the copies I need to distribute. As big as an investment of time that I've already put into this project, the copies that I need produce to hand out will require actual moolah. Moolah is not something we have a lot of around in the Klempner residence.

Here's a link to an interesting post on the "MY WRITING LIFE" blog on this topic: http://learnedaboutwriting.blogspot.com/2009/04/printing-manuscript-terror-and-anguish.html

The author writes that even before making copies at a print shop, astonishing length of time and price of ink invested in that first manuscript at home is frustrating. Plus, a long document inevitably requires troubleshooting due to jams, misprints, and the like. Ugh. In this case, do-it-yourself may not be either the cheapest or best option.

I'm thinking of electronically sending my document to the local Office Depot or the like and having them do the entire thing. Time to do a little comparison shopping.

And then I have to reveal to my darling husband just how much I'm spending on a book that I may never even sell.